Gotta Dance!

When I hear a great song on the radio I just have to dance! I dance while cooking dinner, cleaning the house, ironing, you name it. I " chair" dance in the car to a great tune! When I first saw the challenge was " Exuberance" I had to admit that I was stumped at first. But nephew commented on how much I loved to dance so I decided this was a great place to start.

I had hubby snap a few pictures of me dancing around my sewing room, then I chose a photo I liked and got to work. First I printed the photo, traced my silhouette then dug thru my hand dyed fabrics I choose the background from my iced dyed fabrics and the figure is from fabrics I dyed for a class I took a few years ago. Once I had the piece fused and quilted it still looked a bit plain then I remembered some beads I was given earlier this month, they where the perfect colours so I got busy hand sewing all the beads and sequins on. 

This piece makes me smile and I hope you feel like dancing with me.

The quarterly challenge that was due at the end of June for my 12x12 group was 'Leaves'.  I was initially excited about it because I wanted to try a technique one of you members, Karrie, showed me.  You take an Oliver Twist "One Off" and make a tree out of it .  Here is a picture of a "One Off".  You lay it out in tree form and stitch.  (Side note- I also love, love, love the Oliver Twist thread shown in the photo.  It quilts wonderfully.)  Another note- I did not have a "One Off" in the color I needed, so I created my own from fibers in my stash. Last note, when I look back at Karrie's tree, I begin to see where I began to go off track; hers is free-flowing and artsy.

I got to this point and my work just did not speak to me (in fact it was yelling some bad stuff at me). At this point, I was already late on the challenge, so I decided to experiment.

Next I used Tombow markers and drew around the trunk and branches and spray it with water.

I made leaves out of used teabags and used a combo of Tombow markers and Dye-Na-Flow to color them.  Still not loving it yet....

Finally, I painted polka-dots on the leaves.  

This is now a piece I can live with- still not one of my favorites!

What do you do when your art is not going in the direction you would like?

Remnants: Quilt Stand
Mt husband and I were recently visiting the Northern Michigan and its fabulous wineries.  We stopped at a quilt shop (of course!) and hubby found this quilt stand for me to rotate my 12x12 quilts. Here is the website for it http://www.ackfeldwire.com/, it is called a table stand.

Enjoy! Kathy

Semi-Detached Structure

SEMI-DETACHED

... or OMG! 

I completed a challenge! 

Meet Semi-Detached. 

I made the leaves about six weeks ago and left them alone until they provided the "I should do something with these" impetus needed to create Semi-D. Semi-D is created mainly from silk dupioni, which doesn't photograph very well, MistyFuse, and Timtex. I like the rigidity of Timtex, which gives the piece "structure". 

The tree-branch is made from Timtex and heat-activated, moldable batting, giving the tree-branch a slight three-dimensional curve. According to the packaging, the moldable batting gives rigidity and stiffness for handbags and totes. A fun product, and I shall try it again for something. 

The Timtex and moldable batting were covered in brown silk dupioni and cords made from silk embroidery floss,  Kreinik braid, and metallic knitting yarn (the stuff that looks like a ladder) were attached with a zig-zag stitch. The edges were left raw for a little bit of texture.

I should have used a much firmer quilt batting than bamboo, and next time I will quilt the backing and top before attaching such heavy add-ons. In order to keep some of the leaves from flopping around, and to secure the base of the tree-branch, I used some "450 Quick Dry Adhesive" - it's clear and dries very quickly. Some of the leaves are raised from the surface with large beads, which are glued to the background and to the leaf itself.

While I was writing this, my husband was vacuuming my sewing room (Yes, he really was!) and found something I thought I had lost. So I added it to Semi-D.

As a bonus (and because I haven't kept up!), this is a photo of Stream - the piece I used for inspiration when I made the leaves. Stream is over two feet long, and is over seven years old!

Ready for the next challenge!

CELESTIAL EYED GOLDFISH by Gladys Love

When this theme was announced, I immediately thought of moons, stars, planets, the milky way, and other galaxies.  I also thought of two people I know with kind of "celestial" personalities....lovely, gentle, sort of ethereal persons who constantly amaze me with their ability to see life as magical. 

However, since I don't have that kind of personality.....I had to really think to come up with something that would fit this theme.  I googled images for "celestial" and got many many that would fit in with what I had been thinking.  And then one popped up that made me laugh and I thought it was perfect. It made me happy! It was a "Celestial Eyed Goldfish".  Here is the photo that I worked from. 

I have had the great pleasure of taking a class from Carol Shinn (http://www.carolshinn.com/) who is well known for her thread painted works of art.  I decided that would be the perfect way to present this little fish.  It was printed onto canvas with an ink jet printer, and away I went, stitching in all the colors and trying to duplicate his comical expression.

 

I wasn't happy with the way his tail was not visible so I took artist's license and drew it in.  Here it is partially done. 

 

I was quite happy with the way this looked and continued filling in the tail.  I had a little helpful input from my son, who raises koi, as to the colors in the "fantasy" tail.  I learned from another project that it was important to do the eyes first or they look terrible after all the other work is done and then your project is wasted.  So the order of work was the eyes, the body, the background and then the tail. 

I was quite pleased with how the canvas flattened out behind the fish as I progressed with the colors.  A learning experience as I made some of the stitches go different directions and I think this helped.  When all done, I cut him out of the canvas so he was a free form "patch" that I could apply to a 12 x 12 background. 




The background is a technique learned from my friend Joan, who did one of our challenges with strips of old silk.  We had split two skeins of these strips between us so I decided to use all my "watery" colors for the background.  Here is what it looked like as I played with the
background.  I was dissatisfied with the white edges showing.  I had carefully trimmed the canvas away and then pulled out the warp threads to give it the thready edge, but the canvas color made too much contrast with the background for my liking.

So out came the fabric pens and I colored the front and back of each section to match the thread beside it.  This was better.  I was quite happy with the look of the silk so did some free motion quilting to fasten it down, added some embellishments and here is my "Celestial Eyed Goldfish".

 

And here is a close up of the threadwork, and a photo taken of it flat to show the three dimensional effect in the eyes and tail. 



I think my beading is not random enough so I may be adding more to make it look more natural.  I'm told random beading is the most difficult!  Apparently that's true!   Now, on to LOVE! 

Incandescence by Joan

Incandescence Challenge:

Hi everyone:  I know I am late, late, late, but here it is.

When the theme “Incandescence” was announced, I thought of heat, reflected light, Northern Lights, sun, moon and a lot of other things that might work

I have always loved Northwest Native Art. I have a couple of carved bracelets, one the sun and the other the moon. I looked at both of them, and put together a sketch incorporating some designs from each. The other thing I have wanted to do for some time is work with metal, adding it to fibre. Voila! I thought, a copper sun/moon.

This is my sketch...

I enlarged the sketch, then traced it on to copper shim with a stylus. I didn’t like the narrow line that resulted. To make the embossing thicker, I glued and taped kitchen string to the back of the copper, in the narrow lines, and used a paper blender to push the copper down and around the string. I liked that effect.





 I then mounted the copper on to Tim Tex by curling the copper around to the back of the Tim Tex. It worked, but I do need more practice.

Now that I had what looked like a trivet, I had to figure out how to mount it. I thought black was the way to go to show up the copper color so I  made a quiltlet, couched heavy metallic thread with a fine copper thread to look like rays. Now to attach the two pieces - Pippa said “why not attach it by hand”, and so I did, with black Perle cotton.

Meet my CopperFace.

Once I got into it, I loved the process. I think I'd  like to do play some more with metal on fabric.

INCANDESCENT MARILYN by Gladys

When this theme was announced, I had to go to the dictionary to look for meanings and interpretations.  What I found was:

Incandescence is the emission of light (visible electromagnetic radiation) from a hot body as a result of its temperature.^[1] The term derives from the Latin verb incandescere, to glow white.^[2] Incandescence is a special case of thermal radiation. Incandescence usually refers specifically to visible light, while thermal radiation refers also to infrared or any other electromagnetic radiation.

Having read this there were multiple ideas swirling in my head.  But that's normal.  I'm an idea person, and seldom a completion person!  How's that for True Confessions?  However, back to the theme.....almost immediately I came up with this idea and tried to think of reasons not to do it, but nothing else came out of my hands so here we are.  I started late in my attempts to do something to do with fire, which didn't work, and then finally got down to what I wanted to do in the first place.  They say listen to your heart and I should have because I'm happy with and had fun making this piece.   

I thought instead of light or the normal sources of heat, I thought of sex appeal, which is another elusive kind of heat.  There has been of late, a lot of resurgence of interest in Marilyn Monroe, the all time sex symbol for my generation.  Here is the picture I chose to use for a reference, found on Pinterest.  

Looking at this photo made me wonder what it was that radiated the sex appeal she was famous for.  Was it the looks?  There have been lots of women just as, or even more beautiful.  Was it the body language?  Or was it the diamonds?  I don't know and probably never will, but I truly enjoyed interpreting this photo to my 12" x 12" interpretation of Incandescence.

The project is worked on a black background which has a few sparkles on it.  The face and hair are layer upon layer of chiffons, both polyester and silk.  The face and shoulder are obviously carefully cut to indicate the appropriate shadows and shapes.  But the hair I truly enjoyed doing.  I just free hand cut teardrop shapes of all the colors of chiffon I had in yellow, pale yellow, glittery yellow and white and stitched down each piece as I went along, building up the shades and shapes and covering what didn't fit with a couple more layers.  A really free way to work and I enjoyed every minute of it and am happy with how it turned out.  The embellishments (did you know I love to embellish!!) are bits of treasures from my collection, a single earring, a strip off a dress from the thrift shop that I tore the diamonds off and kept, and a set of plastic eyelashes designed for Halloween but perfect for enhancing her sultry look.  The binding is metallic fabric and that was a trick!   

Thank you Barb, for coming up with such a great theme.   

Incandescence by Kathy K.

It is during our darkest moments 

that we must focus on the light.....

It is the end of the second quarter for our Up for a Challenge 12 x 12 Art Quilt creations. The challenge topic is Incandescence.  This topic, at first, stumped me; after some thought, I turned to quotes which turned things around for me.  My final piece is below:

I started with white fabric and dyed it in stages from yellow to orange to red to violet.  I then used Fabric Etch to create long rays emitting from the center.  I placed black felted wool behind the fabric and begin hand-embroidering and continued hand-embroidering.  I have been to the doctor's office and hand-embroidered, then to the dentist's office and hand-embroidered, onto Panera's and hand-embroidered.  Literally, for the past few weeks, this project has gone everywhere with me and, you guessed it, I hand-embroidered it.  I hand-painted the quote and ended the top by placing a beveled piece of glass at the center of the yellow section (and, yes, it is securely attached). Finally, it is edged with a velvet border.

I enjoyed creating this piece and am looking forward to the next topic being announced tomorrow! Enjoy!

INCANDESCENCE by Dale Kathryn

From 69 to 12

(From the Moon to Mars)

I can't remember when/how I decided that it was time for something completely different - but out came my  Embellisher for this challenge. I machine-felted chopped up bits of sheer polyester fabric, metallic ribbon and fabric, and silk fabric to strips of black Kunin felt. When I was pleased with the overall strip, I attached the next strip. If I didn't like a section of the strip, I removed it. The first section is in the centre right of the following photo.

 

As I continued to build on the strips, I got more and more excited with the possibilities. I over-layed and under-layed the metallic ribbon before needle-felting it - which left a trail of little sparkly bits throughout the house.  

Of course, I did an oops, and trimmed about 1/4 inch too much off one side.

After I did that, I added some hand- and free-motion stitching and then some semi-precious chips, glass and metallic beads. The edges are just a few rows of black satin stitch. Bamboo batting and Kunin felt backing (which you are NOT allowed to see!)

And here it is ... Curiosity.

Thanks for the great theme, Barbara!

Hi - from Dale

 Water Colours - water-colour paper, Pelikan water-colours, beads, metal leaf, hand-made cords, Perfect Pearls, silk dupioni, etc.

I was delighted when Gladys invited me to join this group and I am very much looking forward to the challenges and meeting the other members.

I am not a professional or trained artist. I used to make most of my own clothing and took courses in pattern drafting. (I thought I wanted to be an architect when I grew up, but found out there was a physics component ... then there was all that math ...!). Anyway, I made several wedding outfits - two of which were from patterns I drafted from scratch) before deciding that I needed to do something more "me". One of my first experiments was with fabric paper - before I knew there was such a thing.

At this particular moment, my sewing room has had two coats of fresh paint, the trim is in place, the new laminate flooring is down and the room is completely devoid of anything "art-quilty" (including furniture) because it's spread all over the rest of the house.

My husband and I share our home with a Chocolate Lab, three indoor cats and a almost-feral barn cat we had spayed and for whom we bought a $60 heated cat bed.

When I originally posted this as an email, my sewing room was virtually non-existent. However, I have now just about finished refilling the room. A rug to go under the desk (so I can spill paint, ink, and glue - and not ruin the new laminate flooring) and a blind will arrive sometime next week.

For some reason, we elected NOT to keep the filthy slime-green carpet that was lurking under the not-quite as filthy beige carpet. The slime-green carpet was glued to the subfloor. My husband had to scrape the residue off and nailed a new subfloor over top.