The quarterly challenge that was due at the end of June for my 12x12 group was 'Leaves'.  I was initially excited about it because I wanted to try a technique one of you members, Karrie, showed me.  You take an Oliver Twist "One Off" and make a tree out of it .  Here is a picture of a "One Off".  You lay it out in tree form and stitch.  (Side note- I also love, love, love the Oliver Twist thread shown in the photo.  It quilts wonderfully.)  Another note- I did not have a "One Off" in the color I needed, so I created my own from fibers in my stash. Last note, when I look back at Karrie's tree, I begin to see where I began to go off track; hers is free-flowing and artsy.

I got to this point and my work just did not speak to me (in fact it was yelling some bad stuff at me). At this point, I was already late on the challenge, so I decided to experiment.

Next I used Tombow markers and drew around the trunk and branches and spray it with water.

I made leaves out of used teabags and used a combo of Tombow markers and Dye-Na-Flow to color them.  Still not loving it yet....

Finally, I painted polka-dots on the leaves.  

This is now a piece I can live with- still not one of my favorites!

What do you do when your art is not going in the direction you would like?

Remnants: Quilt Stand
Mt husband and I were recently visiting the Northern Michigan and its fabulous wineries.  We stopped at a quilt shop (of course!) and hubby found this quilt stand for me to rotate my 12x12 quilts. Here is the website for it http://www.ackfeldwire.com/, it is called a table stand.

Enjoy! Kathy

Erosion- Many Different Facets

e·ro·sion

əˈrōZHən/

noun

the gradual destruction or diminution of something.

I had to think long and hard about fear; I finally decided to focus on erosion.  Erosion can be applied to many areas of our lives...erosion of the beach at Lake Michigan..erosion of your health as you age...erosion of world-wide safety...so many things can gradually destruct creating fear.

My piece is inspired by an Edward Burtynsky photo shown below:

My piece is below. After creating the landscape, I used rust to create a tributary-like flow across the piece.  Some seed stitches finished it.

Enjoy!  Kathy

The space within becomes the reality of the building.

~Frank Lloyd Wright

My 12 x 12 groups's challenge for this quarter was "Structure".  "Structure" can mean many things; for me, from my nerdy engineering side, I thought first of building structures. 

 I went to Google, looking for structures and the photo below spoke to me.

Below is a photo of my piece in process; it is tough to see all of the layers.  I pieced fabric, sewed additional lines, rubbed  metallic wax on it, covered it with tulle, and then added the two circular appliques.  I knew I needed to add one more layer of stronger supports, but was not sure how I would layer them on.  

 I took a photo of the work-in-process and printed out six copies; I took a white colored pencil and began experimenting with how the final layer would look. Finally, I could add the velvet thread to finish it! 

I wanted this work to be dark and steely, but thought that one pop of color was needed, so a citrine colored velvet puff was added.  Below is my finished piece, entitled, "Industrial Pop".  Enjoy!

Semi-Detached Structure

SEMI-DETACHED

... or OMG! 

I completed a challenge! 

Meet Semi-Detached. 

I made the leaves about six weeks ago and left them alone until they provided the "I should do something with these" impetus needed to create Semi-D. Semi-D is created mainly from silk dupioni, which doesn't photograph very well, MistyFuse, and Timtex. I like the rigidity of Timtex, which gives the piece "structure". 

The tree-branch is made from Timtex and heat-activated, moldable batting, giving the tree-branch a slight three-dimensional curve. According to the packaging, the moldable batting gives rigidity and stiffness for handbags and totes. A fun product, and I shall try it again for something. 

The Timtex and moldable batting were covered in brown silk dupioni and cords made from silk embroidery floss,  Kreinik braid, and metallic knitting yarn (the stuff that looks like a ladder) were attached with a zig-zag stitch. The edges were left raw for a little bit of texture.

I should have used a much firmer quilt batting than bamboo, and next time I will quilt the backing and top before attaching such heavy add-ons. In order to keep some of the leaves from flopping around, and to secure the base of the tree-branch, I used some "450 Quick Dry Adhesive" - it's clear and dries very quickly. Some of the leaves are raised from the surface with large beads, which are glued to the background and to the leaf itself.

While I was writing this, my husband was vacuuming my sewing room (Yes, he really was!) and found something I thought I had lost. So I added it to Semi-D.

As a bonus (and because I haven't kept up!), this is a photo of Stream - the piece I used for inspiration when I made the leaves. Stream is over two feet long, and is over seven years old!

Ready for the next challenge!

I DON'T LIKE MORNINGS by Gladys Love

This challenge was fun!  Thank you Margaret for such a good idea!  I had an idea as soon as it was announced and have no reason to be late, except that life gets in the way around here!

This piece is quilted with what would amount to a journal page of words in the lines between the stripes on the bed sheet.  I chose non contrast thread so that it wasn't immediately as negative as it actually is.  In doing this piece I discovered the cathartic effect of writing down what is bothering you at the time.  But it's done discreetly so nobody is hurt.  Words you might find are: "mashed potatoes, clockwork mouse, repetitive stories, senior pace, dreams, and caregiver".  You can get the general idea from that.

First I quilted the words onto the sandwich.

When that was done, I arranged the rumpled sheets and made two little pillows.  These were arranged on the "bed" and the drawing placed over them with pins and some hand stitching.  I then thread painted on top of my drawing (done on soluble).  Why I did that I have no idea because it meant getting the project wet afterwards to get it all off!  If I had used tracing paper I suspect I'd have had much better results.  The thread used is Aurifil Wool so that it gave a softer look to the drawing. Her clothing was applied in a sort of "collage" manner.  

I think if one had the patience to do it, you could hold this in front of a mirror and read most of it.  Here is a photo of the back.  

As with everything I do, I would do it differently if I were to do it again!  But it was a good learning experience and I did accomplish my goal to produce a 3D project. At least I think it is!  What is the difference between 1 dimensional, 2 dimensional and 3 dimensional?  Does anyone know?  

Kathy's Celestial

For my celestial piece, started with white fabric and dyed it a soft blue. I selected  four different colors of Jacquard Dye-Na-Flow for each color, I ironed creases into fabric to form a star-like impression.

I loaded up a paint brush with Dye-Na-Flow and lightly moved it along the top of the creases until the paint had been used. I repeated the process for each of the four stars.

After the dyeing process, I machine echoed stitched around the stars.

Lastly, I hand embroidered each of the stars with a contrasting colored embroidery thread.

Enjoy! Kathy

A CHILD'S WHIMSY by Kathy K.

I was so excited about the Whimsical Challenge and immediately began three months ago what I thought would be a brilliant idea.  I worked on the piece for bit-by-bit, but it seemed to never come together, soooooooooo finally last week, I ditched it and came up with the piece below.

I like that it is a happy and colorful piece. Besides the binding, the quilt began with all white fabric. You also may notice that I varnished the quilt- I just felt it needed the shine; I am glad I did.  I am not quite done with it yet; besides removing the painter's tape on the back holding the binding down on the back :-|, I would like to add a few beads on it.

Frost?

Happy New Year! 

The Frost challenge began smoothly.  I took hand-dyed fabric (ice blue) and layered hand-dyed organza (sage colored) on top.  I painted white snowflakes over the surface.  I then cut the piece into 3" x 3" squares (3.5" x 3.5" with seam allowances).  I sewed them together haphazardly and couched a thin silver braid around the snowflake edges.  I then sewed a inner and outer borders around the snowflakes using a silver rayon thread.  This is what the final background looks like...

I love the look of the background, but it needed something more and here is where my snag came.  I have hit many dead-end trials and ideas.  One of my trials was to add a cardinal bird sitting on a branch; here is my cardinal....

I really like the cardinal, but felt its style did not match the style of the snowflake background.  So, the cardinal "flew the coup".

I finished the piece by adding a butterfly, and here it is.....

Enjoy!  Kathy